Tuesday February 24 | Thursday, February 26 |
8:10, Rob Huston | 8:10, Kyle Rose |
8:40, Chris Jones, seminar room | 8:40, Whitney Goodell |
9:10 – break (10 minutes) | 9:10 – break (10 minutes) |
9:20, Eric Reou, seminar room | 9:20, Gabrielle Merritt |
9:50, Michele Leham, seminar room | 9:50, Danielle Giza |
10:20, Cody Blighton, seminar room | 10:20, Julie Brown |
11:10, Laura Perron | 11:10, Melissa Secco, seminar room |
11:40, Abby Anderson | 11:40, Chris Fisher |
12:10, Natalieann Rich | 12:10, Locklin McKinnon |
12:40 – break (10 minutes) | 12:40 – break (10 minutes) |
12:50, Will Thomas | 12:50, Jaymeson Tucker |
1:20, Max Millermaier | 1:20, Michael Yamagata |
Monday, February 23, 2009
Presentation Schedule
Sunday, February 22, 2009
Thursday, February 19, 2009
aim screennames
I was thinking this for now, and for after school. It would be awesome to get a cohesive list of everybody's AIM, or Instant Messaging screen-names.
So, therefore if we wanted to tell someone about their thesis, or senior exhibit ideas, or even new york/ portfolio discussion - we could do it much easier to IM each other than creating a blog-post.
It would nice and quick, since we are all busy anyway this semester. And it would be awesome to help each other out after school with job-searching and advice. Like if I found a studio that would be perfect for one of you guys rather than me, or if they are hiring or etc....
its just an iDear.
Directory Study
Friday, February 6, 2009
Happy Semicolon Day!

Monday, February 2, 2009
Sunday, February 1, 2009
My proposal
OBSERVATIONS
Piet Zwart once stated, “The more uninteresting the letter, the more usefel it is to the typographer.” I have researched two opposing point of views of typographic application, and how they relate to the environment. Graphic Designers and Typographers usually take either one of the two point of views on typography. The Modernist point of view is to design with a select group of traditional typefaces that fit the purpose of the design (i.e.Massmio Vignelli). The Postmodernist point of view is more subjective in terms of typographic decision (or creation), pushing the limits of what a Modernist would consider acceptable (Marian Bantjes).
After looking at typography found in public environments: outside, grocery store, and when commuting, I have discovered that it is commonly overlooked because we have become immune to it, and its excessiveness. Typography has become predictable (common shapes, and designs), and is no longer intriguing to the viewer.
THESIS
I intend to argue that communication/typography is influenced by its environment.
By doing this, I could make typography more effective by comparison, discover the specific trends in areas of typographic design, break the predictability that is seen by using elimination, or by controlling the environment.